The fountains mingle with the river And the rivers with the ocean, The winds of heaven mix for ever With a sweet emotion; Nothing in the world is single; All things by a law divine In one spirit meet and mingle. Why not I with thine? He then mentions the rivers, and how they meet with the ocean.
Tutorfair is a website where you can find and book a local tutor. Every lesson supports our mission to make tutoring fair. Love's Philosophy poem is a romantic lover's playful argument, putting forward his case for the union of love. Natural imagery and strong rhyme appeal to the reader's senses, presenting this relationship as something innocent, simple and inevitable.
Love's Philosophy by Percy Bysshe Shelley The fountains mingle with the river And the rivers with the ocean, The winds of heaven mix forever With a sweet emotion; Nothing in the world is single, All things by a law divine In another's being mingle - Why not I with thine?
See the mountains kiss high heaven, And the waves clasp one another; No sister-flower would be forgiven If it disdained its brother: And the sunlight clasps the earth, And the moonbeams kiss the sea - What is all this sweet work worth, If thou kiss not me? Overview The first stanza begins with descriptions of the natural world 'mixing' with itself and pushes this as a good example for the poet and their beloved.
This is addressed by the tender and slightly archaic 'thee'. In the second stanza of Love's Philosophy this address is intensified. The poet instructs the reader, in the position of the beloved, to look around and 'see the mountains kiss high heaven'.
The genial, playful invitation of a 'kiss' is an easier finish that the hope to 'mingle' in each other's being. A rhetorical question at the end of each stanza begs a response of some sort - surely, the poet hopes, a wordless one!
More specifically, to the state of 'being in love', characterised by powerful, irresistible emotions, gift-giving, the idealisation of a beloved and the prioritisation of the relationship above everything else. However, the poetry of the Romantic poets was not just restricted to describing love.
William Wordsworth defined poetry as the 'spontaneous overflow of powerful feelings' in his preface to the Lyrical Ballads. One common theme is that experiences were understood by Romantic poets through their effects on personal emotions.
This is partly where our modern 'romantic' love idea comes from. However, poetry by Wordsworth, Shelley and Coleridge often shared other hallmark characteristics.
For example, the use of natural imagery and simple verse forms. As this poem by Shelley includes all of these, it is a good example of a Romantic romantic poem. Form and structure Love's Philosophy has a trochaic metre - a pattern of stressed, then unstressed syllables, with four beats in the first three lines of each quatrain and three in the fourth.
The two stanzas are each a pair of alternately-rhymed quatrains, rhyming ababcdcd. There is a strong relationship with the archetypal ballad metre used by many romantic poets. Several lines begin with an extra 'upbeat' properly called an 'analectic' syllable as it extends the normal length of a line.
This slight irregularity helps the poem feel spontaneous, despite the cleverness of its composition.
Language The natural imagery in this poem is relatively simplistic and uncomplicated: The 'winds of heaven' and 'high heaven' can scarcely be called richly descriptive. I think there is an innocence about this sort of language, fitting the scene of two lovers on a hilltop.
He needn't describe what we can see with our own eyes, after all. This innocence continues in the description of a 'sister-flower' and its 'brother'. The relationship the poet imagines between flowers is fraternal and childish, so the word 'disdain' feels out of place as the idea of aloofness between siblings.
Perhaps the use of 'thine' and 'thou' rather than 'your' and 'you' also reinforces this. In Shelley's day, thee and thou were still in use, but less so among people of higher status. Repetitive uses of 'clasp' describing how the waves hold one another, and how the immaterial light of the sun seems to touch the earth, bring this very physical world to the fore.
It certainly has a sensual, if not sexual, connotation, but its effect is rather more repetition to persuade, rather than shock. After all, if everything in nature 'clasps' freely, and if the elements around 'mix' with one another so readily, even obeying the command of God if, unlike Shelley, his reader still believes in God's command to procreatethen turning down the poet's request for a kiss is like disagreeing with the laws of nature and God, isn't it?More About This Poem Love’s Philosophy By Percy Bysshe Shelley About this Poet The life and works of Percy Bysshe Shelley exemplify Romanticism in both its extremes of joyous ecstasy and brooding despair.
The major themes are there in Shelley’s dramatic if short life and in his works, enigmatic, inspiring, and lasting: the restlessness and.
Get an answer for 'What is the summary of the poem "Love's Philosophy"?' and find homework help for other Percy Bysshe Shelley questions at eNotes.
Love's Philosophy by Percy Bysshe timberdesignmag.com fountains mingle with the river And the rivers with the ocean The winds of heaven mix forever With a sweet emotion Nothing in the world is single.
Page/5(76). Percy Shelley’s poem about Mont Blanc, the highest mountain in the Alps, is a classic example of Romantic poetry about the Sublime – an ode to . Romantic Poetry. A tenet of Romantic poetry is its focus on nature and man’s insignificance in comparison to the natural world.
This was a subject of particular interest to the poet Wordsworth. Jun 09, · Love's Philosophy, timberdesignmag.com, poem, STPM, analysis, stanza by stanza, symbolism, literary devices in love's philosophy, critical analysis, personification Author: ►►LITERATURE IN ENGLISH (STPM Paper).